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Vocal Music > Learn Vocal Music > What are the main features of African vocal music?
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What are the main features of African vocal music?

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5 year experience on music and teach.. I have performed on many platforms before...

Melody Rhythm Texture Call and response Ostinato Popular music
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The basic form of African Vocal Music is CHORAL SINGING known as CALL AND RESPONSE where one singer (SOLOIST) or small group of singers sings a line and the whole group (CHORUS) makes a reply (often a fixed REFRAIN) – like a “musical conversation” – in alternation with the “lead...
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The basic form of African Vocal Music is CHORAL SINGING known as CALL AND RESPONSE where one singer (SOLOIST) or small group of singers sings a line and the whole group (CHORUS) makes a reply (often a fixed REFRAIN) – like a “musical conversation” – in alternation with the “lead singer”. The soloist often IMPROVISES.

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My teaching experience 12 years

The basic form of African Vocal Music is CHORAL SINGING known as CALL AND RESPONSE where one singer (SOLOIST) or small group of singers sings a line and the whole group (CHORUS) makes a reply (often a fixed REFRAIN) -- like a “musical conversation” -- in alternation with the “lead singer”. The soloist...
read more
The basic form of African Vocal Music is CHORAL SINGING known as CALL AND RESPONSE where one singer (SOLOIST) or small group of singers sings a line and the whole group (CHORUS) makes a reply (often a fixed REFRAIN) – like a “musical conversation” – in alternation with the “lead singer”. The soloist often IMPROVISES. read less
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The basic form of African Vocal Music is CHORAL SINGING known as CALL AND RESPONSE where one singer (SOLOIST) or small group of singers sings a line and the whole group (CHORUS) makes a reply (often a fixed REFRAIN) – like a “musical conversation” – in alternation with the “lead...
read more

The basic form of African Vocal Music is CHORAL SINGING known as CALL AND RESPONSE where one singer (SOLOIST) or small group of singers sings a line and the whole group (CHORUS) makes a reply (often a fixed REFRAIN) – like a “musical conversation” – in alternation with the “lead singer”. The soloist often IMPROVISES.

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