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In Baroque keyboard music, rubato should be applied with restraint and subtlety, as this period is known for its structured and ornamented style. While it is less commonly used compared to later musical eras, rubato can enhance expressiveness when judiciously applied. It is best suited for slower, lyrical movements and moments of cadence, where a slight tempo fluctuation can add drama and emotional depth. Care must be taken to preserve the clarity of ornamentation and voice leading, ensuring that rubato complements rather than disrupts the intricate contrapuntal textures typical of Baroque compositions. The balance between rhythmic stability and expressive freedom is key, and performers should be mindful of historical context and performance practices when using rubato in Baroque keyboard music.
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I am planning to admit my son for Mridhangam class. He is only 6 years old. If he can learn this at this stage?
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