Caprice Music Academy

In summary, the prevalence of cross rhythms in keyboard music varies across different historical periods. They are relatively rare in Baroque and Classical music, become more noticeable in the Romantic era, and are more commonly encountered in 20th and 21st-century compositions. The use of cross rhythms often reflects the broader stylistic and expressive trends of each musical era.

In Baroque keyboard music, rubato should be applied with restraint and subtlety, as this period is known for its structured and ornamented style. While it is less commonly used compared to later musical eras, rubato can enhance expressiveness when judiciously applied. It is best suited for slower, lyrical movements and moments of cadence, where a slight tempo fluctuation can add drama and emotional depth. Care must be taken to preserve the clarity of ornamentation and voice leading, ensuring that rubato complements rather than disrupts the intricate contrapuntal textures typical of Baroque compositions. The balance between rhythmic stability and expressive freedom is key, and performers should be mindful of historical context and performance practices when using rubato in Baroque keyboard music.

The choice of instrument for performing Bach's keyboard music depends on personal preference, the specific piece being performed, and the intended interpretation. Each instrument - piano, harpsichord, and organ - offers a distinct character to Bach's music, and Bach himself composed for different keyboard instruments during his lifetime. In summary, there's no definitive answer as to which instrument is "best" for performing Bach's keyboard music. Each instrument offers a different perspective on his compositions, and the choice ultimately depends on the performer's interpretation and the effect they wish to convey.