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Baguihati, Kolkata, India - 700059.
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Details verified of Priyo Raj✕
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Education
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Hindi Mother Tongue (Native)
Bengali Mother Tongue (Native)
English Proficient
West Bengal Board Of Secondary Education 2019
Secondary Education
WEST BENGAL COUNCIL OF HIGHER SECONDARY EDUCATION 2021
Higher Secondary
Calcutta University 2024
Bachelor of Commerce (B.Com.)
Sarbabharatiya Sangeet o Sanskriti Parishad 2019
SENIOR DIPLOMA PART 2 IN MUSIC
Baguihati, Kolkata, India - 700059
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C
Calcutta Boys School
Sealdah, Kolkata
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9 Students Class Location
Online Classes (Video Call via UrbanPro LIVE)
Student's Home
Tutor's Home
Years of Experience in Guitar Classes
10
Genre of guitars taught
Bass, Electric, Acoustic, Classical, Other
Age groups catered to
Below 10 yrs, Above 25 yrs, 10 yrs to 15 yrs, 16 yrs to 25 yrs
Type of classes
Individual classes, Group classes
Music genres taught
Indian classical, Indian Film music, Jazz & Blues, Rock & Roll, Western Classical, Ukulele, Country Folk
Outcomes catered to
Learn basics of playing a guitar, Formal training to earn certification for a particular music grade level, Learn specific skills: Plucking, Chord progression etc, Learn to play as an accompaniment to singing, Learn a specific song
Teaching Experience in detail in Guitar Classes
As a dedicated guitar teacher with over a decade of experience, I have had the privilege of helping countless students discover and refine their passion for music. My journey as a guitar instructor began over ten years ago, when I realized that teaching the guitar was not just a way to share my knowledge, but a way to inspire others to achieve their musical goals. With a firm belief in the transformative power of music, my teaching approach has always been rooted in the idea that every student, no matter their skill level or musical background, can develop a strong connection to the guitar. Over the years, I have developed a teaching philosophy that is both flexible and personalized, enabling me to connect with each student on an individual level. While every student’s learning process is different, I prioritize creating a safe and encouraging environment where students feel comfortable expressing themselves through music. Whether a beginner picking up a guitar for the first time or an experienced player seeking to hone their skills, I tailor each lesson to meet the unique needs and goals of the student. One of the key aspects of my teaching style is patience. I understand that learning an instrument can be challenging, and I make it my mission to guide students through the process with steady encouragement and constructive feedbacks. The journey to mastering the guitar is not always linear, but I aim to make each lesson a positive and rewarding experience. My teaching philosophy focuses on building a strong technical foundation while fostering creativity and musical expression.
1 Student Class Location
Online Classes (Video Call via UrbanPro LIVE)
Student's Home
Tutor's Home
Years of Experience in Ukulele classes
7
Age groups catered to
Above 25 yrs
Class strength catered to
Group Classes, One on one/ Private Tutions
Class Location
Online Classes (Video Call via UrbanPro LIVE)
Student's Home
Tutor's Home
Years of Experience in Vocal Music classes
10
Gender of teacher
Male tutor
Vocal Style taught
Western Singing, Hindustani Singing
Age group catered to
22- 50 years old, Above 50 years
Class strength catered to
Group Classes, One on one/ Private Tutions
Proficiency level catered to
Beginner
4.9 out of 5 10 reviews
Niyam Sinha
Guitar Preferred class strength:Individual classes
"Priyo is very methodical in his approach and I have made real progress in 3 classes only. I would highly recommend him. "
Dr Kumar dinabandhu
Guitar Preferred class strength:Individual classes
"An amazing experiences with my guitar tutor Priyo Raj. He has a lot of patience for again and again elaboration for his lesson to the beginners with his decent nature. He is most flexible during his live class. "
Manas Gupta
Guitar Preferred class strength:Individual classes
"Good learning experience. Very accommodative with thee schedule. Gives singing lessons also which is what I was looking for. "
Varun Malhotra
Guitar Preferred class strength:Individual classes
"I have finished 2 classes so far and i am enjoying it. I am 43 yr old trying to learn guitar and Priyo Sir has a lot patience to even teach someone like me. "
1. What genre of guitar do you teach ?
Bass, Electric, Acoustic and others
2. Which classes do you teach?
I teach Guitar, Ukulele and Vocal Music Classes.
3. Do you provide a demo class?
Yes, I provide a free demo class.
4. How many years of experience do you have?
I have been teaching for 10 years.
Answered on 31 Mar Learn Music/Vocal Music/Indian Vocal Music/Indian Classical Music/Carnatic Music
Carnatic music is not as globally famous as Hindustani music, but that doesn’t mean it’s less rich or important. The primary reasons for this difference in recognition are historical influences, accessibility, and exposure.
1. Historical & Geographical Reasons
Hindustani music had royal patronage from Mughals & North Indian courts, making it more visible.
Carnatic music remained within South Indian temples & local courts, limiting its reach.
The British colonial influence promoted Hindustani music more, especially in Western education systems.
2. Accessibility & Structure
Hindustani music is slow, meditative, and melodic, making it easier for listeners to appreciate.
Answered on 31 Mar Learn Music/Vocal Music/Indian Vocal Music/Indian Classical Music/Carnatic Music
Yes, Carnatic music can develop without devotional content, but its identity and core elements are deeply rooted in bhakti (devotion). While most traditional compositions are devotional, Carnatic music is ultimately a musical system, meaning it can evolve to include other themes while retaining its technical richness.
1. Can Carnatic Music Exist Without Devotion?
Yes, as a pure musical system – Carnatic music is built on ragas (melodic scales), talas (rhythmic cycles), and gamakas (ornamentations), which are independent of lyrical themes.
Instrumental Carnatic music already proves this – When performed instrumentally (violin, veena, flute), the focus is purely on the music, not the lyrics.
Answered on 31 Mar Learn Music/Vocal Music/Indian Vocal Music/Indian Classical Music/Carnatic Music
When choosing a violin for learning Carnatic music, beginners should look for a well-built instrument with good tonal quality, durability, and ease of playing. Unlike Western violins, Carnatic violinists use a sitting posture with cross-legged playing, so comfort is also important.
Recommended Violins for Carnatic Beginners
1. Budget-Friendly Options (₹5,000 – ₹15,000)
Paloma Violins (PV-01, PV-02) – Good for absolute beginners.
Hofner AS-180 or AS-185 – Reliable and affordable.
Kadence Vivaldi 4/4 Violin – Decent tone for practice.
Answered on 31 Mar Learn Music/Vocal Music/Indian Vocal Music/Indian Classical Music/Carnatic Music
The perception that voice culture in Carnatic music is "bad" is subjective and often comes from comparisons with Hindustani or Western classical singing. However, Carnatic music has its own unique approach to vocal training that prioritizes precision, gamakas (oscillations), and expressive delivery over a "smooth" or "polished" tone.
Why Does Carnatic Singing Sound Different?
1. Heavy Use of Gamakas (Ornamentation)
Unlike Hindustani music, where notes are often sustained smoothly, Carnatic music relies heavily on gamakas (oscillations and rapid note variations).
These gamakas are integral to ragas and make the voice sound more textured and dynamic, which some may perceive as "rough" or "unrefined."
Answered on 31 Mar Learn Music/Vocal Music/Indian Vocal Music/Indian Classical Music/Carnatic Music
The idea of Hindustani music being "sweeter" than Carnatic music is subjective and depends on personal taste and musical exposure. Both styles have their own distinct beauty and appeal.
Why Some People Find Hindustani Music "Sweeter"
Long, Flowing Melodies – Hindustani music emphasizes Meend (glides between notes), making it sound smoother and more fluid.
Slower, Meditative Approach – Raga elaboration (Alaap) is gradual, allowing for a serene and expansive feel.
Lighter Ornamentation – Compared to Carnatic Gamakas (intricate note oscillations), Hindustani music has softer embellishments.
Influence of Persian & Mughal Styles – Adds a unique grace to its presentation.
9 Students Class Location
Online Classes (Video Call via UrbanPro LIVE)
Student's Home
Tutor's Home
Years of Experience in Guitar Classes
10
Genre of guitars taught
Bass, Electric, Acoustic, Classical, Other
Age groups catered to
Below 10 yrs, Above 25 yrs, 10 yrs to 15 yrs, 16 yrs to 25 yrs
Type of classes
Individual classes, Group classes
Music genres taught
Indian classical, Indian Film music, Jazz & Blues, Rock & Roll, Western Classical, Ukulele, Country Folk
Outcomes catered to
Learn basics of playing a guitar, Formal training to earn certification for a particular music grade level, Learn specific skills: Plucking, Chord progression etc, Learn to play as an accompaniment to singing, Learn a specific song
Teaching Experience in detail in Guitar Classes
As a dedicated guitar teacher with over a decade of experience, I have had the privilege of helping countless students discover and refine their passion for music. My journey as a guitar instructor began over ten years ago, when I realized that teaching the guitar was not just a way to share my knowledge, but a way to inspire others to achieve their musical goals. With a firm belief in the transformative power of music, my teaching approach has always been rooted in the idea that every student, no matter their skill level or musical background, can develop a strong connection to the guitar. Over the years, I have developed a teaching philosophy that is both flexible and personalized, enabling me to connect with each student on an individual level. While every student’s learning process is different, I prioritize creating a safe and encouraging environment where students feel comfortable expressing themselves through music. Whether a beginner picking up a guitar for the first time or an experienced player seeking to hone their skills, I tailor each lesson to meet the unique needs and goals of the student. One of the key aspects of my teaching style is patience. I understand that learning an instrument can be challenging, and I make it my mission to guide students through the process with steady encouragement and constructive feedbacks. The journey to mastering the guitar is not always linear, but I aim to make each lesson a positive and rewarding experience. My teaching philosophy focuses on building a strong technical foundation while fostering creativity and musical expression.
1 Student Class Location
Online Classes (Video Call via UrbanPro LIVE)
Student's Home
Tutor's Home
Years of Experience in Ukulele classes
7
Age groups catered to
Above 25 yrs
Class strength catered to
Group Classes, One on one/ Private Tutions
Class Location
Online Classes (Video Call via UrbanPro LIVE)
Student's Home
Tutor's Home
Years of Experience in Vocal Music classes
10
Gender of teacher
Male tutor
Vocal Style taught
Western Singing, Hindustani Singing
Age group catered to
22- 50 years old, Above 50 years
Class strength catered to
Group Classes, One on one/ Private Tutions
Proficiency level catered to
Beginner
Answered on 31 Mar Learn Music/Vocal Music/Indian Vocal Music/Indian Classical Music/Carnatic Music
Carnatic music is not as globally famous as Hindustani music, but that doesn’t mean it’s less rich or important. The primary reasons for this difference in recognition are historical influences, accessibility, and exposure.
1. Historical & Geographical Reasons
Hindustani music had royal patronage from Mughals & North Indian courts, making it more visible.
Carnatic music remained within South Indian temples & local courts, limiting its reach.
The British colonial influence promoted Hindustani music more, especially in Western education systems.
2. Accessibility & Structure
Hindustani music is slow, meditative, and melodic, making it easier for listeners to appreciate.
Answered on 31 Mar Learn Music/Vocal Music/Indian Vocal Music/Indian Classical Music/Carnatic Music
Yes, Carnatic music can develop without devotional content, but its identity and core elements are deeply rooted in bhakti (devotion). While most traditional compositions are devotional, Carnatic music is ultimately a musical system, meaning it can evolve to include other themes while retaining its technical richness.
1. Can Carnatic Music Exist Without Devotion?
Yes, as a pure musical system – Carnatic music is built on ragas (melodic scales), talas (rhythmic cycles), and gamakas (ornamentations), which are independent of lyrical themes.
Instrumental Carnatic music already proves this – When performed instrumentally (violin, veena, flute), the focus is purely on the music, not the lyrics.
Answered on 31 Mar Learn Music/Vocal Music/Indian Vocal Music/Indian Classical Music/Carnatic Music
When choosing a violin for learning Carnatic music, beginners should look for a well-built instrument with good tonal quality, durability, and ease of playing. Unlike Western violins, Carnatic violinists use a sitting posture with cross-legged playing, so comfort is also important.
Recommended Violins for Carnatic Beginners
1. Budget-Friendly Options (₹5,000 – ₹15,000)
Paloma Violins (PV-01, PV-02) – Good for absolute beginners.
Hofner AS-180 or AS-185 – Reliable and affordable.
Kadence Vivaldi 4/4 Violin – Decent tone for practice.
Answered on 31 Mar Learn Music/Vocal Music/Indian Vocal Music/Indian Classical Music/Carnatic Music
The perception that voice culture in Carnatic music is "bad" is subjective and often comes from comparisons with Hindustani or Western classical singing. However, Carnatic music has its own unique approach to vocal training that prioritizes precision, gamakas (oscillations), and expressive delivery over a "smooth" or "polished" tone.
Why Does Carnatic Singing Sound Different?
1. Heavy Use of Gamakas (Ornamentation)
Unlike Hindustani music, where notes are often sustained smoothly, Carnatic music relies heavily on gamakas (oscillations and rapid note variations).
These gamakas are integral to ragas and make the voice sound more textured and dynamic, which some may perceive as "rough" or "unrefined."
Answered on 31 Mar Learn Music/Vocal Music/Indian Vocal Music/Indian Classical Music/Carnatic Music
The idea of Hindustani music being "sweeter" than Carnatic music is subjective and depends on personal taste and musical exposure. Both styles have their own distinct beauty and appeal.
Why Some People Find Hindustani Music "Sweeter"
Long, Flowing Melodies – Hindustani music emphasizes Meend (glides between notes), making it sound smoother and more fluid.
Slower, Meditative Approach – Raga elaboration (Alaap) is gradual, allowing for a serene and expansive feel.
Lighter Ornamentation – Compared to Carnatic Gamakas (intricate note oscillations), Hindustani music has softer embellishments.
Influence of Persian & Mughal Styles – Adds a unique grace to its presentation.
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