1 
IdentityChethana Saravanan is a prodigious classical dancer who began her artistic journey at the tender age of 3 and achieved her **arangetram** by the age of 7. A seasoned performer, she has graced the stage in **253 performances** to date, including her remarkable role in "Agama Vipina Mayuri. She completed her **master’s in Bharatanatyam in 2020** and is currently pursuing her **PhD research on Bharathnatyamm
**Awards and Achievements**
Chethana has received numerous accolades for her outstanding contributions to classical dance:
- **Yuva Shree Kala Bharathi Award (2013)**
- **Kala Ratna (2019)**
- **B-Grade Artist (2019)**
- **Natya Kausthubha Award (2023)**
She also rose to prominence as the **title winner of the reality show "Thakka Dhimi Tha"** in 2005 on **Jaya TV**, showcasing her versatility and skill.
She is also the title winner of IDF - Srilanka (2019)
**Performances Across India**
Chethana has captivated audiences in cities like **Chennai**, **Bangalore**, **Udupi**, **Hyderabad**, **Delhi**, **Kolkata**, **Kerala**, and the **Andaman Islands**. Her solo performances at prestigious sabhas during the **Margazhi Utsav was remarkable.
**International Performances**
Chethana’s talent has earned her global recognition, with performances in abroad
**Dedication and Legacy**
With her artistry, dedication, and passion for classical dance, continues to inspire audiences in India and across the globe, cementing her legacy as a celebrated icon in the field of Bharatanatyam.
Teaching methods of Chethhana Saravanan includes:
1.Introduction to Theory
- **Body Conditioning**:
- **Postures and Positions**: Teach
- **Rhythmic Patterns**
2. Demonstration and Imitation
- **Visual Learning**: Demonstrate movements slowly and clearly.
- **Step-by-Step Guidance**: Break down complex movements into simpler components.
- **Mirror Practice**: Use mirrors for students to observe and correct their posture.
3. Interactive Techniques**
- **Call-and-Response**:
- **Feedback Sessions**:
- **Improvisation**:
4. Theory Integration
- **Tala and Raga Study**:
- **Hand Gestures (Mudras)**
- **Facial Expressions (Abhinaya)**
