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Picture a couple, elbows straight out, dancing close together, moving almost like one, BUT they swing their legs in tight maneuvers slipping their leg between the legs of their partner. It is very effective and choreographed very tightly. Their demeanor is serious, concentrated, and occasional eye to eye contact. Remember, it takes two to tango.
Now picture a solo dancer, standing very proud, hands on hips, eyes toward the ceiling, castanets tapping out a fast rhythm, and guitars are playing a rapid beat. The dancer (man or woman) swirls about, stomping their feet to the floor. Sometimes stopping like a statue, breathing hard, then again with twirling, stomping, looking very proud and superior. That’s Flamenco.
read lessScottish dancing has arm movements, linking of arms, joining hands to make arches for other dancers to pass under. Where Irish dancers are somewhere between Scottish dancing and clog dancing, with lots of very fast footwork, the classic straight back, and arm held by the side with no touching between partners.
read lessIn some English sources the flamenco tango is written with an -s; "the tangos is..." The flamenco tango is distinct from the flamenco rumba primarily through the guitar playing. In Rumba the guitar flows more freely, whereas in Tangos the accents on beats 2, 3 & 4 are marked clearly with heavy strumming.
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